In 1985 Maggiotto moved to Brooklyn, NY, and abandoned paper photo materials for marble and plaster. Using architectural tiles (usually 12" sq.) he built collages around themes such as labor, love, and ambition. Poured emulsion layers, repeated images, and color underpainting portray the influences of Steichen, Muybridge and Warhol. As the art world caught up to the artists, and fully accepted the photograph, Maggiotto returned to the large print as the vehicle to frame his vision. His recent work is the land between two rivers, the Hudson and the Saw Mill. Highly detailed photographs presented in large format.

More of Maggiotto’s work can be seen at https://www.maggiotto.com/